PITCH YOUR BOOK TO A LITERARY AGENT:
These one-on-one meetings at the 2020 Tennessee Writing Workshop are an amazing chance to pitch your book face-to-face with an agent, and get personal, individual feedback on your pitch/concept. If the agent likes your pitch, they’ll request to see part/all of your book — sending you straight past the slush pile. It also gives you an intimate chance to meet with an agent and pick their brain with any questions on your mind. More 2020 agents to be announced as they are confirmed. You can sign up for pitches at any time, or switch pitches at any time, so long as the agent in question still has appointments open.
Erin Clyburn is a literary agent with The Jennifer De Chiara Literary Agency. She is seeking nonfiction picture books, high-concept chapter book series, some middle grade, and some young adult. For adult fiction, she seeks character-driven literary fiction; plot-driven suspense / mysteries / thrillers, all horror from psychological to gothic to slasher, multigenerational family sagas. In nonfiction, she wants pop science, high-interest nonfiction, true crime, cookbooks, science- or culture-focused memoirs. Learn more about Erin here.
Eric Smith is a literary agent with P.S. Literary. He is seeking: Eric is eagerly acquiring fiction and nonfiction projects. He’s actively seeking out new, diverse voices in Young Adult (particularly sci-fi and fantasy), New Adult, and Literary and Commercial Fiction (again, loves sci-fi and fantasy, but also thrillers and mysteries). In terms of nonfiction, he’s interested in Cookbooks, Pop Culture, Humor, essay collections, and blog-to-book ideas. Learn more about Eric here.
Margaret Riley King is a literary agent with William Morris Endeavor. Margaret has been a literary agent at WME since 2007, where she began her career after graduating from Princeton University. She represents both literary and commercial fiction (mainstream, women’s), along with narrative nonfiction, memoir, and lifestyle titles in the areas of food, home, faith/spirituality, and well-being. Learn more about Margaret here.
Lizzie Poteet is a literary agent with The Seymour Agency. Lizzie is always looking for a good love story. She loves classic romance tropes, strong dialogue, sassy heroines, witty banter, and good old fashion romance. She’s actively seeking inspirational romance, cozy mystery, new adult romance, young adult (no speculative), romantic suspense, historical and contemporary romances, and loves anything with a happy ending. Learn more about Lizzie here.
Kenzi Nevins is a literary agent with CYLE Literary Elite. Kenzi personally seeks picture books (text only is fine, but author-illustrators are her favorite), middle grade (all kinds), young adult (all kinds, including graphic novels with images), and adult fantasy. She is also happy to take pitches on behalf of her many co-agents, and pass on great submissions to them after the event. That means she will take pitches for romance (all kinds), literary fiction, mainstream fiction, science fiction, high & low fantasy, historical, mystery, thriller, suspense, women’s, and Christian/inspirational. For nonfiction, she will take pitches for parenting, leadership, ministry, devotionals, and self-help. She will also take pitches for board books and chapter books. Learn more about Kenzi here.
Cate Hart is a literary agent with Harvey Klinger Literary Agency. She specializes in historical, whether in young adult, women’s fiction and romance, or narrative nonfiction. She is particularly drawn to oft-forgotten stories of the past and underrepresented voices, and especially personal to her is unexplored Southern history and culture. She also loves high-concept fantasy in YA and Adult fiction. Cate seeks the following nonfiction categories: narrative, history, film, TV, theatre, pop culture, and music. She also seeks the following fiction genres: historical, commercial, women’s fiction, romance, fantasy, mystety, psychological thriller, middle grade, and young adult. Learn more about Cate here.
Julie Gwinn is an agent with The Seymour Agency, and was formerly an editor with many years of publishing experience. Her primary areas of interest include Christian and inspirational fiction and nonfiction, women’s fiction (contemporary and historical), new adult, Southern fiction, literary fiction, as well as young adult novels. Learn more about Julie here.
Greg Daniel is a literary agent and founder of Daniel Literary Group. Daniel Literary Group specializes in nonfiction and is open to submissions in almost every popular category of such, especially if authors are recognized experts in their fields. Agency authors are recognized and published across a variety of categories including narrative nonfiction, religion/spirituality, business, pop culture, practical advice, social issues, and biography/memoir. Learn more about Greg here.
Mike Parker is the publisher and acquiring editor for Wordcrafts Press. Mike is actively seeking adult, young adult, and middle grade fiction in the following genres: contemporary, literary, historical, Biblical, fantasy, science fiction, paranormal, horror, sweet romance, mystery, and thriller. Mike seeks nonfiction in the following categories: pop culture, technology, sports, memoir, history, inspirational, and faith-based. Mike is actively seeking stage plays in any genre, but is particularly interested in scripts offering strong roles for females. Learn more about Mike here.
Alyssa Roat is a literary agent with CYLE Literary Elite. She is seeking: any kind of young adult (but especially fantasy and speculative), middle grade fiction (any kind), fantasy, women’s fiction, contemporary fiction, unique historical fiction, all kinds of children’s picture books (nonfiction or STEM elements are great), some nonfiction (large platform only), occasional Christian titles, and a rare thriller/mystery/suspense. Learn more about Alyssa here.
More 2020 agents to be announced as they are confirmed. You can sign up for pitches at any time, or switch pitches at any time, so long as the agent in question still has appointments open.
These one-on-one meetings are an amazing chance to pitch your book face-to-face with an agent, and get personal, individual feedback on your pitch/concept. If the agent likes your pitch, they’ll request to see part/all of your book — sending you straight past the slush pile. It also gives you an intimate chance to meet with an agent and pick their brain with any questions on your mind.
(Please note that Agent/Editor Pitching is an add-on, separate aspect of the day, for only those who sign up. It is $29 per 10-minute meeting. Spaces are limited for these premium meetings.)