Savannah Brooks is a literary agent with Jennifer De Chiara Literary.
Savannah joined the Jennifer De Chiara team in 2018 as an Associate Literary Agent after interning for a year and a half. She earned her MFA, focused in creative nonfiction, from Hamline University and her BS in marketing management from Virginia Tech. As well as agenting, she works as a teaching artist at the Loft Literary Center and is a reader for multiple literary magazines. Her own creative work has been published in Barely South Review, Hobart, Lime Hawk, and Every Writer’s Resource, among others. When not immersed in the world of words, she can be found on her motorcycle, at her MMA gym, or lounging at one of Minnesota’s 11,842 lakes.
She is seeking:
“I mainly represent kid-lit (PB, MG, and YA), and I’m interested in books that focus on friendship, conflicting identity, and the theme of truth. I’m always drawn in by a protagonist venturing into a realm where society says they don’t belong (think swapping gender norms), and characters with weird obsessions are a weird obsession of mine—teach me strange new things, and I’m yours. I’m all about magical realism, non-western mythology, and modern retellings, but I’m not the best fit for high fantasy or science fiction.
“In picture books, I’m searching for projects that teach about and celebrate different cultures and places in the world and those that tackle serious topics in really accessible ways. For MG, I learn very heavily into action-adventure, especially those based on global folklore and mythology, and I love a snarky narrator and spooky situations. In YA, I’m looking for multicultural and queer perspectives on everything from modern teen experiences to reframing classic tropes like vampires and witches. I’ve been particularly wanting to see some horror.
“Mostly, I’m invested in representing the diverse world in which we live and would like to see that reflected in a cast of characters. Show me variations in race, sexuality, gender, dis/ability, and ethnicity without that difference being a point of contention, and I’ll be thrilled. Call me an idealist, but my goal for each book is to give kids/teens an opportunity to point to the page and say, “Finally, there I am.”
“I am very selective about taking on fiction works for adult audiences, but when I do, I look for two genres: 1) contemporary novels that walk the line of being funny while still adding to a larger sociopolitical conversation, and 2) thrillers that add to a larger sociopolitical conversation (but are NOT law-enforcement focused, including FBI/CIA). I would love to hear more from marginalized voices, regardless of whether or not marginalization is a central theme.”